Her mother had left for the United States three years ago, promising to send for her. The promise arrived monthly in the form of a money order and a brief, static-filled phone call. But Sofía had stopped believing in promises. Instead, she believed in Chayanne.
The first track crackled to life. "No sé por qué…" Chayanne’s voice, smooth as polished stone, filled the tiny room. It was the song "Desde Siempre" (Since Always). She’d heard it a hundred times, but never in total darkness, never with the rain as a live percussion section. Chayanne - Desde siempre-2005-
And then, on the second chorus, something shifted. The music seemed to swell beyond the boombox’s tiny speakers. The candle flame flickered, not from a draft, but in rhythm. Sofía felt a warm pressure on her shoulder, as if someone had placed a hand there. She didn't turn around. She was afraid to break the spell. Her mother had left for the United States
Ya compré mi boleto.
She looked at the silent boombox, at the blurry face of Chayanne on the CD case. He was still smiling that ridiculous, white-suited smile. But it no longer looked like heaven. It looked like a promise kept. Instead, she believed in Chayanne
Not the man, exactly, but the feeling in his music—the relentless, almost ridiculous optimism. Her most prized possession was a burned CD titled Desde Siempre , which she’d bought from a bootlegger at the Friday market. The cover was a pixelated blur of Chayanne’s white smile and a white suit against a white background. It looked like heaven.