For The Love Of Movies The Story Of American Film Criticism -

For a while, it looked like utopia. Suddenly, anyone could be a critic. No gatekeepers. No editors. Just pure democracy.

If you want the answer, you need to watch Gerald Peary’s documentary, . And fair warning: it will ruin the way you think about Rotten Tomatoes forever. The Origin Story (It’s Not About Thumbs Up/Down) Peary’s film is essentially a loving, 80-minute genealogy lesson for film nerds. It starts with a radical idea: In the early 20th century, movies were considered garbage. They were nickelodeon peep shows for immigrants and illiterates. No "respectable" person would dare critique them. for the love of movies the story of american film criticism

Without critics like Kael and Sarris, we wouldn't have the vocabulary to argue about "cinematography" or "pacing" or "subtext." Without Ebert, we wouldn't have the empathy to sit through a slow foreign film. For a while, it looked like utopia

But then the business model collapsed. Newspapers fired their veteran critics to save money. The documentary shows a montage of empty desks. The Atlanta Journal-Constitution. The Rocky Mountain News. The voices that had spent 30 years learning the history of cinema were replaced by generic wire service roundups or algorithmically generated "what to watch" lists. No editors