The old woman chuckled, a dry, rustling sound like wind through millet stalks. “There was once a man in Baghdad,” she said, “who tried to count every drop of the Tigris. He died old and bitter. Another man simply drank from the river and wrote a poem about its taste. Which one was wiser?”
When Hidayatul finished, his father stood at the back of the room, astonished. The old woman from the baobab tree was gone, but the riga with the Tongue of Honey hung from Hidayatul’s shoulder. hidayatul mustafid hausa
Dejected, the boy fled into the darkness of the old quarter. There, under the gnarled roots of a baobab tree, he found an old woman, her face a map of wrinkles. She was mending a worn-out riga . The old woman chuckled, a dry, rustling sound
“Why so heavy, son of Mustafa?” she asked, not looking up. Another man simply drank from the river and
And so it was proven: the ink of the scholar is holy, but the tongue of the storyteller? That is the fire that warms the soul in the cold desert night.
“In the beginning,” he said, “when the world was still soft like clay, the First Father walked from the East to the West. Wherever he placed his right foot, a market sprang up. Wherever he placed his left foot, a mosque grew. And he carried on his shoulder not gold, but a bag of stories.”
Hidayatul was the son of a renowned Maliki jurist, but he was no scholar. While his brothers debated the finer points of ijma and qiyas , Hidayatul preferred the company of birds, the rhythm of the talking drum, and the strange, new stories carried by Hausa merchants from Bornu and beyond. He was fluent in Arabic, but his heart beat in the cadence of his mother’s native Hausa tongue.