The QUATTRO is one of the most flexible, efficient and compact lasers on the market. Many metal working companies have a large number of components to manufacture but only need to produce one or two at a time. Ease of use, plus low operating costs make the QUATTRO the ideal solution for low volumes, without forgoing precision and quality.
This machine is no longer available.
Find the laser machine that suits your needs
Introduction: The Genesis of a Mega-Series In 2013, Indian television witnessed one of its most ambitious and expensive productions: a grand retelling of the Sanskrit epic, the Mahabharat . Produced by Swastik Productions (under the leadership of Siddharth Kumar Tewary), the show aimed to introduce the timeless tale of dynastic war, duty, and divine intervention to a new generation. It followed in the footsteps of B.R. Chopra’s iconic 1988 series but leveraged modern technology, high-definition cinematography, and a revised narrative structure.
Even years after its final episode, dialogues like “Karm kar, fal ki chinta mat kar” (Do your duty, don’t worry about the results) and “Yeh draupadi ka apmaan nahi, Bharat ka apmaan hai” (This is not Draupadi’s insult, but India’s insult) continue to resonate, proving that the Mahabharat – in any era – remains the story of us all. mahabharat 2013
The series premiered on , on STAR Plus and later aired on Star Bharat. It consisted of 267 episodes , each approximately 20–22 minutes long, and concluded on August 16, 2014 . Production & Vision Siddharth Kumar Tewary, the showrunner, envisioned a Mahabharat that was "visually spectacular yet emotionally rooted." The production budget was estimated at over ₹100 crore (approx. $15 million USD at the time), making it one of the most expensive Indian TV series ever. Introduction: The Genesis of a Mega-Series In 2013,
While the 1988 version remains the “gold standard” for nostalgia, the 2013 adaptation is widely regarded as the for the post-liberalization, digital-age generation. Conclusion: A Timeless Tribute Mahabharat (2013) succeeded not merely as a television show but as a cultural event. It reminded audiences that the epic’s core questions – What is right? Whom to side with when family clashes? How to break the cycle of revenge? – remain unresolved and universal. Through its lush visuals, powerful performances, and a reverent yet fresh script, the series earned its place as one of the most beloved mythological TV dramas of 21st-century India. It consisted of 267 episodes , each approximately
FULL ACCESS TO THE CUTTING AREA:
The three accessible sides of the QUATTRO laser facilitate sheet metal loading and unloading. Large-sized sheets which are bigger than the work area can also be processed, repositioning them manually.
COMPACT STRUCTURE:
With a footprint of just 6.4 m2, the QUATTRO is AMADA's smallest laser. The oscillator and numerical control are contained within the machine to maintain its extremely compact size.
DIVERSIFIED PROCESSING:
With the QUATTRO, not only sheet metal but rectangular and square tubes can be processed, providing even greater flexibility. (Option)
FULL ACCESS TO THE CUTTING AREA:
The three accessible sides of the QUATTRO laser facilitate sheet metal loading and unloading. Large-sized sheets which are bigger than the work area can also be processed, repositioning them manually.
COMPACT STRUCTURE:
With a footprint of just 6.4 m2, the QUATTRO is AMADA's smallest laser. The oscillator and numerical control are contained within the machine to maintain its extremely compact size.
DIVERSIFIED PROCESSING:
With the QUATTRO, not only sheet metal but rectangular and square tubes can be processed, providing even greater flexibility. (Option)
| QUATTRO | QUATTRO | |
|---|---|---|
| Laser power (W) | 1000 | 2500 |
| Machine type | CO₂ flying optic laser | CO₂ flying optic laser |
| Working range X x Y (mm) | 1250 x 1250 | 1250 x 1250 |
| Working range Z-axis (mm) | 100 | 100 |
| Table loading weight (kg) | 80 | 160 |
Material thickness (max.)*: | ||
| - Mild steel (mm) | 6 | 12 |
| - Stainless steel (mm) | 2 | 5 |
| - Aluminium (mm) | 1 | 4 |
Dimensions: | ||
| Length (mm) | 2900 | 2950 |
| Width (mm) | 2450 | 2450 |
| Height (mm) | 2160 | 2160 |
| Weight (kg) | 3750 | 4150 |
* Maximum thickness value depends on material quality and environmental conditions
Technical data can vary depending on configuration / options
Please contact us for more details and options or download our brochure
For your safe use.
Be sure to read the user manual carefully before use.
When using this product, appropriate personal protection equipment must be used.
Laser class 1 when operated in accordance to EN 60825-1
Introduction: The Genesis of a Mega-Series In 2013, Indian television witnessed one of its most ambitious and expensive productions: a grand retelling of the Sanskrit epic, the Mahabharat . Produced by Swastik Productions (under the leadership of Siddharth Kumar Tewary), the show aimed to introduce the timeless tale of dynastic war, duty, and divine intervention to a new generation. It followed in the footsteps of B.R. Chopra’s iconic 1988 series but leveraged modern technology, high-definition cinematography, and a revised narrative structure.
Even years after its final episode, dialogues like “Karm kar, fal ki chinta mat kar” (Do your duty, don’t worry about the results) and “Yeh draupadi ka apmaan nahi, Bharat ka apmaan hai” (This is not Draupadi’s insult, but India’s insult) continue to resonate, proving that the Mahabharat – in any era – remains the story of us all.
The series premiered on , on STAR Plus and later aired on Star Bharat. It consisted of 267 episodes , each approximately 20–22 minutes long, and concluded on August 16, 2014 . Production & Vision Siddharth Kumar Tewary, the showrunner, envisioned a Mahabharat that was "visually spectacular yet emotionally rooted." The production budget was estimated at over ₹100 crore (approx. $15 million USD at the time), making it one of the most expensive Indian TV series ever.
While the 1988 version remains the “gold standard” for nostalgia, the 2013 adaptation is widely regarded as the for the post-liberalization, digital-age generation. Conclusion: A Timeless Tribute Mahabharat (2013) succeeded not merely as a television show but as a cultural event. It reminded audiences that the epic’s core questions – What is right? Whom to side with when family clashes? How to break the cycle of revenge? – remain unresolved and universal. Through its lush visuals, powerful performances, and a reverent yet fresh script, the series earned its place as one of the most beloved mythological TV dramas of 21st-century India.
