Pobres Criaturas -

She was not a lady. She was not a monster. She was not a ghost, or a machine, or a god.

Mrs. Grimthorpe’s boarding house was a monument to beige. Miss Finch took the attic room, which had a slanted ceiling and a view of the slaughterhouse. She paid for six months in advance with gold coins that bore the profile of a king no one remembered.

“I have his notebook,” Miss Finch continued, pulling a leather-bound volume from her reticule. “Page forty-three: ‘Subject M displays rudimentary consciousness but no moral compass. She has asked why she cannot fly. I have explained the square-cube law. She cried for three hours. Fascinating.’” Pobres Criaturas

“You are correct, Sir Reginald,” she said. “I am unnatural. I was created in a laboratory in Bucharest by a man named Dr. Alistair Finch, who was my father, my god, and my jailer. He built me from the remains of his deceased daughter—the first Marjorie, who drowned in a boating accident—and supplemented my missing parts with clockwork, galvanic rubber, and the brain of a woman he purchased from a medical college.”

Miss Finch, who was wearing a dress she had sewn from a dismantled hot-air balloon, stepped into the center of the pavilion. She was not angry. She was, by all appearances, intensely curious. She was not a lady

She closed the notebook. “I am here to ask: is there a place in this world for a creature like me? I can learn. I can improve. I can feel—I think. When Socrates is frightened, I feel a pressure behind my ribs. When I saw the night-blooming cereus open, I wept. The tears were saline. I tested them.”

She opened the book to a random page. “Page ninety-one: ‘Subject M has escaped again. Found her in the garden, attempting to teach the tortoise to dance. She said the tortoise lacked ambition. I am considering a larger cage.’” She paid for six months in advance with

She smiled. It was not a natural smile. It was too wide, too symmetrical, too aware of its own mechanics. But it was, unmistakably, real.