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But I still wanted the film. So I did the unthinkable. I bought a used region-free Blu-ray player and imported the UK edition from a seller in Brighton. It took three weeks. The packaging was simple—black cover, silver foil letters. No bonus features. Just the film, in 1080p, with a DTS-HD Master Audio 5.1 track. I watched it at 1:00 AM. Lights off. Volume at 65 decibels.
“Everything’s out of print if you’re lazy,” he said, and pulled a sealed copy from behind the counter. “Third party vendor. Import from Germany. Sixty bucks.”
There are two ways to watch Jim Jarmusch’s 2013 masterpiece, Only Lovers Left Alive .
I paid without blinking.
The first is easy. You pull up a streaming aggregator, find it’s currently hopping between MUBI, Kanopy, or a random AMC+ trial, and you click play. You watch it on your laptop while scrolling your phone. You finish it, shrug, and say, “That was slow.”
“It’s out of print,” I said.
I turned it off.