Will Power Edward Aubanel -

One Tuesday, a water-damaged box arrived from a condemned estate. Inside: a 19th-century journal bound in cracked leather. The owner had been a minor poet named Sabine Durand, erased from history because her patron had been a political dissident. As Will carefully separated the pulp-molded pages, he found something strange—a pressed fern, and beneath it, a single line of verse:

He published Sabine’s poems under a small press he founded called No Witness Press . The first run was thirty copies, hand-bound by Will. One found its way to a poet in Montreal, who read it on public radio. Then a scholar in Lyon. Then a filmmaker. Will Power Edward Aubanel

Months passed. He catalogued, de-acidified, resewed bindings. He learned obsolete dialect words. He wrote to rare-book dealers, begged for microfilm access, argued with a dean who said Sabine wasn’t “marketable.” His name, Will Power, became a quiet joke among grant committees—but also a promise. He wouldn’t stop. One Tuesday, a water-damaged box arrived from a

Afterward, a young archivist approached him. “Why did you spend five years on a poet no one remembered?” As Will carefully separated the pulp-molded pages, he

By thirty-five, Will had become a man of quiet, stubborn decency—not because of his name, but in spite of it. He worked as a restoration archivist at a failing municipal library, repairing books no one else wanted to read. His coworkers called him Ed.

Will understood then. His father hadn’t been mocking him. He’d been naming a prophecy: a person whose entire existence was a verb. To will power into being, for things that had none.