Today, Rekha is in her late sixties, with silver-streaked hair and an ever-present pair of reading glasses on a gold chain. She no longer stitches every garment, but she still sits by the entrance, greeting customers with a look that scans their posture, their fabric choice, and their hesitation. She’ll touch a sleeve and murmur, “The shoulder needs half an inch more. And try the jade earrings—not the ruby.”
Her signature was the “timeless drape.” She believed fashion was cyclical. In 1987, while everyone was obsessed with puffed sleeves and mirrored chiffon, Rekha was quietly reviving the classic kali saree, pairing it with vintage brooches and contemporary blouses. Her gallery became a laboratory of fusion: Lucknowi chikan on an A-line skirt, a bandhini dupatta worn like a shawl over a solid cotton kurta. Www Rekha Nude Com
By 2010, “Rekha Fashion and Style Gallery” had become a destination not just for clothes but for fashion education. Rekha’s daughter, Meera, an NIFT graduate, introduced a small workshop space. On weekends, they hosted “Draping 101” and “Color Season Analysis” classes. The gallery began documenting every outfit they created in a digital catalogue—still respecting the old ledgers but now with a website and a popular Instagram page named @RekhaGallery, where they posted side-by-side comparisons: a 1988 creation next to a 2023 reinterpretation. Today, Rekha is in her late sixties, with
In the mid-1980s, before designer labels became a household whisper in small-town India, there was a nondescript lane in Kanpur’s bustling Nai Sarak market. It was here that a young, sharp-eyed woman named Rekha Khanna opened a tiny storefront. She called it, with simple clarity, “Rekha Fashion and Style Gallery.” And try the jade earrings—not the ruby
Her gallery survives and thrives in an era of fast fashion because it never forgot its middle name: Style . Not trends, not logos, not seasonal chaos—but the quiet, enduring art of dressing with thought.
The gallery began as a single room with a wooden counter, three sewing machines, and a rack of glossy film magazines. But Rekha’s innovation was unique. She didn’t merely sell yards of georgette or rolls of Banarasi silk. Instead, she offered a “Style Consultation.” A customer would walk in, describe an event—a cousin’s wedding, a Diwali party, a job interview—and Rekha would sketch a design on the spot.